Friday, 21 October 2016

The Great Ideas ~ How To Think About Opinion

How To Think About Opinion

This section is presented as a conversation between Adler and Lloyd Luckman.  I'm not certain who Mr. Luckman is but he appears to be Adler's co-host and interviewer for the TV show.  Luckman is confused as to why Adler would consider "opinion" a great idea. Adler explains.

He addresses both the theoretical significance and the practical significance of opinion.

The Theoretical Significance of Opinion

The greatest problem in determining certainty and probability is the distinction between knowledge and opinion, therefore to judge the worth of opinions, people created the theory of probability.  For a sceptic, we know nothing for certain and everything is a matter of opinion.  One opinion is just as good as another and everything is subjective and relative.

Opinion is also connected with the great theoretical problem of agreement and disagreement.  We essentially agree and disagree on every fundamental question.

The Practical Significance of Opinion

"Controversy" has almost become a bad word but discussion and public debate are crucial to the health of a society.  We have a moral duty to be hospitable to controversy.

Majority rule is essential in a democracy, but we also need to respect what is sound in the judgement of the minority.

A Difference of Opinion (1896)
Sir Lawrence Alma-Tadema
source Wikiart

Characteristics of Opinion as Contrasted with Knowledge

It is important to see the difference of both in terms of truth, but there is a definition of truth that must be agreed upon, and he proposes the following:  "A statement is true if it says that that which is is, or if it says that which is not is not; and a statement is false if it says that that which is not is, or that which is is not."

Opinion versus Knowledge

Knowledge is having the truth and knowing that you have it.  Opinion consists in not being sure that you have the truth or not being sure what you say is true or false.  For example, in a courtroom there is an opinion rule where the witness must state what he saw happen, not what he thinks happened.  Opinions can be right or wrong, true or false.  Knowledge cannot be false.

Another criteria for judging on knowledge or opinion is whether something is universally known or agreed upon.  If everyone MUST agree, it isn't opinion, it's knowledge.

Additional criteria:

  • Doubt and belief are relative only to opinion, never to knowledge. For example, "two plus two equals four" is known.  As to whether there will be another world war or not, one can only offer an opinion.

A Right To Our Own Opinion

  • There is no conflict with knowledge but there can be conflicting opinions.  Reasonable men can agree to disagree.
  • We can talk about a consensus of opinion, but we never refer to a consensus of knowledge.  Aristotle's rule for consensus of opinion is:  "In arguments dealing with matters of opinion, we should base our reasoning on the opinions held by all.  Or if not by all, at least those held by most men.  Or if not by most men, at least by their wives.  And in the last case, if we are basing it on the wives, then we should try to base our opinion or arguments on the opinions held by all the wives or if not by all the wives then by the most expert among them or at least by the most famous."  Rarely is there unanimity in consensus of opinion.

source Wikiart

Questions, questions and more questions !!!

About what sort of things can we have knowledge, and about what sort of things can we only form opinions?  Plato believed that it was only possible to have knowledge about those things that were fixed, permanent or eternal, but Aristotle disagreed, holding that it was possible to have knowledge of both the physical world and eternal ideas.

What is the psychological difference between knowing and opinion?

Can we have knowledge and opinion about the same thing?  Or is it possible for someone to have knowledge about something, about which another person has only an opinion?

How much knowledge do we have?  To what degree are the things that we deem to know really things we know or only things that we opine?

Socrates said that only God knows and for the most part, men have nothing better than opinion.  To know this is wisdom.  He was being rather ironic and intended to go on with the inquiry, which Adler plans to do in the next section where he examines in greater depth the difference between knowledge and opinion.

A Difference of Opinion as to a Treaty
Herman Frederik Carel Ten Kate
source ArtUK

Tuesday, 18 October 2016

The Well at the World's End by William Morris

"Long ago there was a little land, over which ruled a regulus or kinglet, who was called King Peter, though his kingdom was but little."

King Peter of Upmeads has four sons, Blaise, Hugh, Gregory and Ralph.  All resolve to set out to seek great adventures but the youngest, Ralph, decides to do so against his father's wishes.  Encouraged by Dame Katherine, a newly married lady to the chapman, she gives him a beaded necklace of blue and green stones and inspires him to find the Well at the World's End.

"Son, true it is that the water of that Well shall cause a man to thrive in all ways, and to live through many generations of men, maybe, in honour and good-liking; but it may not keep any man alive for ever; for so have the Gods given us the gift of death lest we weary of life ......

Of strife and of war also we know naught: nor do we desire aught which we may not easily attain to.  Therefore we live long, and we fear the Gods if we should strive to live longer, lest they should bring upon us war and sickness, and over-weening desire, and weariness of life.  .....

.... ye wear away your lives desiring that which ye may scarce get; and ye set your hearts on high things, desiring to be master of the very Gods.  Therefore ye know sickness and sorrow, and oft ye die before your time, so that ye must depart and leave undone things which ye deem ye were born to do; which to all men is grievous.  And because of all this ye desire healing and thriving, whether good come of it, or ill.  Therefore ye do but right to seek to the Well at the World's End, that ye may the better accomplish that which behoveth you, and that ye may serve your fellows and deliver them from the thralldom of those that be strong and unwise and unkind, of whom we have heard strange tales."

Ralph's youth and inexperience are apparent at the beginning of the story, as he travels first to Bourton Abbas and then through the Wood Perilous, meeting up with various adventures and challenges on his journey.  He encounters two women, both of whom he loves, yet one whom he is not destined to keep.  Finally, with Ursula, his love, and with the help of the Sage of Sweveham, they manage to attain their quest, finding the Well and drinking of its bounty.  Their return home is also fraught with danger and intrigue, as Ralph learns the value of perseverance and the rewards of loyalty.

The Vision of the Holy Grail tapesty (1890)
Sir Edward Burne-Jones (design and figures)
William Morris (design and execution)
source Wikipedia

Born in Essex, William Morris had a number of accomplishments and careers during his life, including that of a textile designer, a poet, a novelist and a social activist.  Though classically trained at Oxford, Morris became an architect, and with his friends, the well-known artists Edward Burne-Jones, Dante Gabriel Rossetti, and archtitect Philip Webb, they formed a decorative arts firm that became the rage of the Victoria era.  His renown as a poet followed, and he further exercised his literary talents as a novelist.    His interest in Marxism and concern for social issues developed an appetite for activism which lasted throughout his life.  He died in 1896 of tuberculosis at the age of 62.

The Merciful Knight (1863)
Edward Burne-Jones
source Wikiart

The Well at the World's End is a very curious mix of fairy tale, adventure, and rather risque scenes and actions for the time period of Victorian England.  While it reminded me very much of Le Morte d'ArthurThe Faerie Queene, and Sir Gawain and the Green Knight, Morris was not reluctant to reveal the physical attraction between Ralph and the women he encountered, nor did he prevaricate about their physical relationship, however, he did so in rather a romantic knightly way.  Morris was a muse for writers like C.S. Lewis and J.R.R. Tolkien who admired his pioneering work in the genre of fantasy fiction, and the names "Gandolf" and "Silverfax" which appear in The Well at the World's End, are echoed also in The Lord of the Rings.

Danaë (The Tower of Brass) 1887-88
Edward Burne-Jones
source ArtUK

This book was a wonderfully rich and exciting read, full of heroic exploits, peril and satisfying resolutions.  Morris was indeed a talented writer and his love for the Medieval is apparent in every word of the story.  I own his book, The News From Nowhere, which I hope to read soon as a follow-up.  Being compared to Gulliver's Travels and Erewhon, it's a complete deviation from this story ---an utopian novel of a libertarian socialist bent. In any case, his story telling abilities solidified themselves for me with this novel and I'm looking forward to exploring more works from Morris.

Lamia and the Soldier (1905)
John William Waterhouse
source Wikiart

Tuesday, 11 October 2016

Jane Eyre ~ Chapters XXVI, XXVII & XXVIII

Chapter XXVI

Jane's wedding day arrives but there is not much joy in the beginning and the bridegroom appears rather grim.

"I wonder what other bridegroom ever looked as he did --- so bent up to a purpose, so grimly resolute: or who, under such steadfast brows ever revealed such flaming and flashing eyes."

Rochester nearly drags her to the church, where the priest begins the ceremony but, lo, a man arrives claiming an impediment to the union.  It is the solicitor of Mr. Mason, accompanied by said fellow, who claims that Rochester has a wife yet living.  At the declaration, Rochester at first challenges the claim, then appears to accept the accusation.  He leads them all to a room in Thornfield where a wild woman resides and tells the story of being tricked into marriage with her while her family hid her mental disorder.  Jane discovers that her uncle had learned of her impending marriage and Mr. Mason happened to be there at the time, setting out soon after to prevent it.  She retreats to her room and proceeds to examine her predicament with a heartbreaking earnestness.  She sends a prayer to God in her desolation.

The Wedding Morning
John Henry Frederick Bacon
source ArtUK

Chapter XXVII

After agonizing over the morning, Jane finally leaves her room to find Rochester in a chair outside waiting for her.  He carries her downstairs, gives her food and wine to revive her and then begins to tell of his plans for their future life.  When Jane appears to resist, he realizes that he has not explained how he arrived at his predicament and tells her the story of his marriage ---- how he was tricked by his father, older brother and Bertha Mason's family into making her his bride.  Blinded by her looks, he agreed to the union, only to find her insane and after four years had to lock her up.  Returning to England, she became the inmate of Thornfield and he regrets that he did not appeal to Jane's magnanimity and tell her the truth earlier.  He seems to think that they will still be married but Jane disavows him of that notion right away, even though her heart is in conflict while it is being torn asunder.  In spite of, first his anger, and then his tormented pain, Jane resists his entreaties.  That night, she leaves, walking for miles alone and then finally gets a ride in a coach to the farthest town she is able.

"Gentle reader, may you never feel what I then felt!  May your eyes never shed such stormy, scalding, heart-wrung tears as poured from mine.  May you never appeal to Heaven in prayers so hopeless and so agonized as in that hour left my lips; for never may you, like me, dread to be the instrument of evil to what you wholly love."

Lover's Walk, Dolgelly (1867)
Thomas Stuart Smith
source ArtUK

Chapter XXVIII

The coach takes Jane as far as Whitcross which is really only a marker in the road.  She begins to wander, coming to a town where at first she is too reticent to beg, then as hunger begins to gnaw at her, she asks for food, all while she still aches for Rochester.

"My rest might have been blissful enough, only a sad heart broke it.  It plained of its gaping wounds, its inward bleeding, its riven chords.  It trembled for Mr. Rochester and his doom; it bemoaned him with bitter pity; it demanded him with ceaseless longing; and, impotent as a bird with both winds broken, it still quivered its shattered pinions in vain attempts to seek him."

Inquiring about work, no one seems to help her and she resigns herself to a fate of death from hunger and cold.  Yet at the last moment she is drawn to a little cottage where she sees a servant and two young women inside.  Attracted by their calm, pleasant demeanours, she knocks on the door but to her despair, the servant Hannah, refuses her admittance.  She is only saved by a young man, St. John, who returns and takes her inside, feeding her and giving her a bed for the night.

Charles Mahoney
source ArtUK

Ah, here is the ripping, the tearing away of Jane and Rochester.  Brontë does an excellent job in conveying Jane's anguish but in a way that is very in tune with her character.  Her quiet suffering is almost more effective than any outward display.  For a rather practical man, Rochester is in the grip of delusion, which communicates the love he has for her.  He still believes that she will agree to marry him, and one wonders how much he really knows Jane.  Yet his actions display a rather passionate desperation which made me pity him and feel impatience with him all at the same time.  Hopefully Jane's actions will model a deeper love to him and eventually he'll respect her decisions. I must say this is one of my favourite parts in the book, despite the sadness and drama.

Her wandering aimlessly around the countryside is certainly not riveting, but it does illustrate the lack of compassion people seem to have for each other.  The fact that she's a young homeless girl does not seem to touch anyone's heartstrings.  I wonder if this is an accurate portrayal of human attitudes or simply a device to move the story along.

The weakest part of the book is in this section.  What a coincidence that her uncle just happened to live on this particular Caribbean island, and what a coincidence that he just happens to run into Mr. Mason, who just happens to have the marriage revealed to him so he can stop it and THEN even more manipulation of the uncle by making him so sick that Jane cannot go to him, nor he to her.  Not the best plot crafting by Brontë.

I didn't know until my fourth or fifth reading of this book that St. John is pronounced, "Sin-jun".  Do any of my British blog followers, or anyone else for that matter, know the reasoning behind this creative British pronunciation?

Friday, 7 October 2016

The Great Ideas ~ How To Think About Truth

How To Think About Truth

Heavens, start with a light one, why don't you, Adler!  And it honestly wasn't a long essay at all but it was dense.  Dense, as in tons of relevant information packed into a small space.  Dense, as in my brain hurts.  Let's see if I can untangle some neurons and launch into a coherent explanation.

Truth Stolen Away by Time Beyond
the Reach of Envy and Dischord
Nicolas Poussin
source Wikiart

Truth is associated with the pursuit of knowledge which encompasses all earnest endeavours or investigations.  False knowledge does not exist, therefore, what you have in your mind about the object you are trying to know is "knowing the truth".

However, there are problems with the pursuit of truth and Adler summarizes them:

Scepticism - the sceptic either believes that nothing is true or false, or that everything is equally true or false.  We are unable to distinguish or know true or false, have knowledge, or possess truth.  Freud spoke against sceptics, saying, "If it were really a matter of indifference what we believe, then we might just as well build our bridges of cardboard as of stone, or inject a tenth of a gram of morphine into a patient instead of a hundredth, or take teargas as a narcotic instead of ether; but the intellectual anarchists themselves (the sceptics) would strongly repudiate any such practical applications of their theory."

Relativism - Relativists believe that what can be true for one person, can be false for another and vice versa, or what was true in one point in history may not be true in others.  The opposite view to relativism is that truth is "absolute and immutable, the same for men everywhere."

Pragmatism - Pragmatists believe truth is only truth if it bears fruit in action --- it is only truth if it works.  The opposite view to pragmatism is that practical verification is unnecessary for man to have an awareness of truth.

Adler splits the problem into smaller pieces, now asking not only "what is truth," but "what is true?"

Philosophy Unveiling Truth
Louis Jean François Lagrenée
source ArtUK

Truth Defined

The easier question of the two is:  What is Truth?

Within oneself, one knows the difference between the truth and a lie.  There is a correspondence between our own words, speech and thoughts.  Between two people, using words, we develop a truth of communication or a truth of understanding between each other.  However the third case is more problematic: finding truth within reality ....

The Easy Problem of Truth

The generally agreed upon definition of truth in European thought is the "correspondence between the mind and reality."  From the ancient to the Medieval to the modern world this definition holds true.

Plato:  A false proposition is one which asserts the nonexistence of things which are or the existence of things which are not.

Aristotle:  To say of what is that it is or of what is not that it is not, is to speak the truth or to think truly; just as it is false to say of what is that it is not or of what it is not that it is.

Aquinas said that truth in the human mind consists in the mind's conformity to reality (that which is)

John Locke:  Though our words signify nothing but our ideas, yet being designed by them to signify things, the truth they contain will be only verbal when they stand for ideas in the mind that do not agree with the reality of things.

William James was a pragmastist who maintained that the successful working of an idea signaled truth, meaning the truth of our ideas have an agreement with reality.

However, this definition is only the starting point and many problems remain.  It is more difficult to tell how something is true or false.

As mentioned above, it is relatively easy for the mind to directly correspond with its own thoughts or indirectly with the thoughts of others.  This brings us to our very difficult case.

The Difficult Problem of Truth

How does one test the correspondence with my own mind with that of reality?

We express our thoughts in statements or propositions; reality is the facts about which we're trying to make the propositions.  The problem?  It is impossible for us to grasp the facts except within our own propositions, therefore we have no direct way of discerning whether the propositions correspond to the way things are.  Likewise, we have no indirect way of discerning either, because we cannot ask reality questions and reality cannot answer back.  We cannot have correspondence between what we know and what we are trying to know.

The Endearing Truth (1966)
Rene Magritte
source Wikiart

Consistency Is Needed For Truth

Some say a test of truth is noncontradiction.  For example, the propositions a is b and a is not b cannot both be true; one must be true and one must be false.  Consistency, coherence or absence of contradiction is a sign of truth for if reality were full of contradictions, then the presence of contradictions in the mind would not be a sign of falsity.  Descartes propounded the idea that when our ideas are clear and distinct and contain no contradictions, then we know truth.  Likewise, Spinoza said, "What can be more clearer or certain than a true idea as the standard of truth?  Just as light reveals both itself and the darkness, so truth is the standard of itself and of the thoughts."

Yet Adler does not think this explanation sufficient, for, of the two propositions, how are we to know which is true?  We can only discover truth if we have some measurement or standard with which to measure these propositions.  Aristotle said, "The human mind uses two kinds of principles.  There are the unquestionable truths of the understanding which are axioms or self-evident truths and there are truths of perception, truths which we know, which we possess, when we perceive matters of fact, such as, 'Here is a piece of paper in my hand,' or 'Here is a book, I see a book, I observe a book.'"  If we can test the truth of our propositions against these self-evident truths, we begin to solve the problem.

The Immutability of Truth

Many people can change their minds, but this has nothing to do with a change in truth or what is true.  If the earth is round, it is round no matter how many people claimed that it was flat.  It's fair to say that true is immutable, but human beings do not possess truth immutably.

Truth presenting a Mirror to the Vanities of the World
Northern European School
source ArtUK

Oh heavens, I can already tell that this project is going to take much more effort than I expected.  It's truly an introduction to philosophy.  I just have to keep telling myself that it will be worth it .......

Monday, 3 October 2016

Classics Club Spin # 14 ................ and the Winner Is ........

 Number 1

I must say that I'm rather excited to read We by Yevgeny Zamyatin.  I've heard excellent feedback about it and I haven't read a sci-fi book in awhile.  I've also been enjoying a Russian-fest lately, finishing off The Death of Ivan Ilyich and am in the middle of The Brothers Karamazov.  Both books have touched on issues that have lately been on my mind, and I wonder what insights I'll gain from reading We.

Now I need to finish off some of my recent reads so I can get started.  I hope everyone was as happy with their spin choice as I am with mine!

Friday, 30 September 2016

Classics Club Spin #14

Sigh!  I usually get excited about the Classics Club Spin but this time, between my failures to finish my last spins and the load of books I already have on my plate, my enthusiasm is severely compromised.  I should pass .....

........ however, if I can finish up some of my reads, I don't have much planned after them, AND I'm always trying to concentrate on my Classics Club List.  So with these excuses in mind, I'm going to give it a whirl .....

The Rules for the spin are:
  1. Go to your blog.
  2. Pick twenty books that you've got left to read from your Classics Club list.
  3. Post that list, numbered 1 - 20, on your blog by next Monday.
  4. Monday morning, we'll announce a number from 1 - 20.  Go to the list of twenty books you posted and select the book that corresponds to the number we announce.
  5. The challenge is to read that book by December 1st.

I used the random list organizer here to choose the 20 books from my master list.  Then I tweaked them, so my list ended up looking like this:

  1. We (1921) - Yevgeny Zamyatin
  2. Address to Young Men (363) - Saint Basil 
  3. The Civilization of the Renaissance in Italy (1860) - Jacob Burckhardt
  4. The History of Napoleon Buonoparte (1829) - John Gibson Lockhart
  5. The Well at the World's End (1896) - William Morris
  6. The City of God (426) - Augustine 
  7. Ivanhoe (1820) - Sir Walter Scott
  8. Wives and Daughters (1864/66) - Elizabeth Gaskell 
  9. Dead Souls (1842) - Nikolai Gogol 
  10. If On A Winter's Night A Traveller (1979) - Italo Calvino
  11. A Journey to the Western Islands of Scotland and a Journal of a Tour of the Hebrides (1775) - Johnson & Boswell
  12. Tartuffe (1669) - Molière
  13. Twenty Years After (1845) - Alexandre Dumas
  14. Framley Parsonage (1860-61) - Anthony Trollope
  15. On the Social Contract (1762) - Jean-Jacques Rousseau
  16. The Mysteries of Udolpho (1794) - Ann Radcliffe
  17. The Interpretation of Dreams (1899) - Sigmund Freud 
  18. The Merchant of Venice (1596 - 1598) - William Shakespeare
  19. The Histories (450 - 420 B.C.) - Herodotus 
  20. Journey to the Center of the Earth (1864) - Jules Verne

Oh, Lord help me.  I left some BIGGIES on the list without changing them out.  I just hope the spin goes in my favour and misses them.  I'm sure I'll be tense until Monday. :-)

Best of luck everyone with your spin!

Wednesday, 28 September 2016

Jane Eyre ~ Chapters XXIII, XXIV & XXV

Chapter XXIII

Midsummer arrives with a radiance that is breathtaking.  Jane is out walking and spies Rochester, but in spite to trying to avoid his notice, he spots her and asks her to accompany him.  The conversation begins with his alluding to her departure from Thornfield, which she takes to mean that he is referring to his impending marriage. With a playful cruelty, he teases her, until he reveals that she is his only love and therefore, his only bride.  At first, she shows disbelief, but finally is swept away by his emotion.  Yet there are hints of foreboding:

".... And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting ---- called to the paradise of union ---- I thought only of the bliss given to me to drink in so abundant a flow ......"

And although the summer skies had been kissed by the rays of the sun, suddenly a torrential rain begins to fall, hurrying them both inside where Mrs. Fairfax observes them and looks upon their new-found intimacy with a jaundiced eye.

Garden in Summer (1924)
Theo van Rysselberghe
source Wikiart

Chapter XXIV

Jane awakens to sunny skies once more and searches for her errant bridegroom, guided by a rather grave Mrs. Fairfax.  Here, their relationship begins a dance of power, as Rochester's commanding temperament jumps to the forefront as he reveals his plans for their marriage, however Jane pushes back with a quiet persistence but also an almost jaunty playfulness.  He admits that he "feigned courtship of Miss Ingram to render you as madly in love with me as I was with you; and I knew jealousy would be the best ally I could call in for furtherance of that end."  Jane admonishes his conduct strongly but softens at his pleas.

"I turned my lips to the hand that lay on my shoulder.  I loved him very much ---- more than I could trust myself to say ---- more than words had power to express."

As he prepares to take her to Millcote for her wedding trousseau, Jane converses with Mrs. Fairfax who gives mysterious warnings about Rochester's intentions and counsels caution.  More light battles are waged between them as Rochester attempts to get his way and Jane attempts to reign in and tame his impetuosity and imperiousness.  Jane appears to triumph, but a rather somber and shocking confession by her ends the chapter.

"Yet after all my task was not an easy one; often I would rather have pleased than teased him.  My future husband was becoming to me my whole world; and more than the world; almost my hope of heaven.  He stood between me and every thought of religion, as an eclipse intervenes between man and the broad sun.  I could not, in those days, see God for His creature: of whom I had made an idol."
Village Street
T. Campbell
source ArtUK

Wow, what a powerful last paragraph!  It's delightful to see the interplay between Jane and Rochester, and see her beginning to shape his character for the better, yet those last words indicate that there is something more powerful at work there.  I don't remember this dilemma from my last reading, and I'll be interested to see how Jane reconciles her love of Rochester and her love of God in the coming chapters.

It's strange how this courtship scene, while resonating with deep passionate love between the two characters, can also arouse waves of profound foreboding.

Oh, and one word about Rochester's cruel teasing of Jane, as it is often an action that colours the reader's opinion of him:  he does admit that "his principles have gone awry from lack of attention."  His confession indicates two things: 1) he recognizes his bad behaviour and 2) he is willing to change.  So hopefully this honest declaration will mitigate some of the animosity a reader might feel towards him.

Man With a Horse and a Greyhound (1819)
John Nost Satorius
source ArtUK

Chapter XXV

Oh my!  More and more dark dreams and visions invade the happy pair's thoughts.  One night whilst Rochester is away from home, Jane has dreams, first of carrying a burden of a small child, having Rochester in front of her on a road yet not being able to stop him nor have him hear her cries; next that Thornfield Hall was a ruin, she still carried the child yet saw him riding on horseback away from the destruction; and lastly that a ghastly savage vision of a big woman with curly hair came into her room and rent her veil.  When she relates her experiences to Rochester, one can see he is horrified at the latter and Jane believes that it, unlike the others, was not a dream.  She does not sleep that night but prepares to face her wedding day with an unsettled and anguished spirit.

The Veil (1898)
William-Adolphe Bouguereau
source Wikiart

This part is where I lose some of my respect for Rochester.  He lies when he should have told the truth.  Up until now, I could understand him pushing his secret out of his mind, to try to find happiness from a situation that must be a torment to him.  So far he has prevaricated, but now, when faced with a blatant action by his wife, that not only threatens his wedding, but perhaps Jane's life, the fact that he does not finally confess places him in a very unfavourable light.  I only hope that he can explain himself in the proceeding chapters.